| Sounding identity: A technical analysis of singing styles in the traditional music of sub-Saharan Africa AP Addaquay |
2025 |
Arts 14 (3), 68, 2025 |
Humanities |
11 |
| Integrating critical thinking into advanced musical analysis in Ghanaian Music Education AP Addaquay |
2024 |
PAN African Journal of Musical Arts Education 2 (2), 1-9, 2024 |
Social Sciences |
9 |
| The interconnection of text-melody in selected works of Newlove Kojo Annan’s choral writings AP Addaquay |
2022 |
Journal of Multidisciplinary Cases (JMC) 2 (4), 15-25, 2022 |
Humanities |
9 |
| Re-thinking inclusivity in music learning: The implications of multiple Ghanaian languages in Western-leaning music theory AP Addaquay |
2024 |
African Musicology Online 13 (2), 1-11, 2024 |
Humanities |
8 |
| African vocal art music and a proposed guideline for singing: Ghanaian context AP Addaquay |
2023 |
JOURNAL OF AFRICAN ARTS AND CULTURE 6 (3), 45-76, 2023 |
Humanities |
7 |
| Traditional music and dance preservation in Ghana AP Addaquay |
2025 |
Legon Journal of the Humanities 36 (1), 145-162, 2025 |
Humanities |
6 |
| Contesting the Concept of Timeline in African Traditional Music-Dance: Perspectives from Ghana AA Addaquay |
2023 |
E-Journal of Musical Research (EJOMUR) 3 (2), 14 - 33, 2023 |
Humanities |
6 |
| Sounding identity: A technical analysis of singing styles in the traditional music of Sub-Saharan Africa. Arts, 14 (3), 68 AP Addaquay |
2025 |
— |
Humanities |
5 |
| The role of creative artists in promoting traditional cultural tourism in Ghana BOA Jnr, EO Acquah, EK Amponsah, AP Addaquay, AY Bamongya, ... |
2024 |
JOURNAL OF AFRICAN ARTS AND CULTURE 7 (3), 27-57, 2024 |
Social Sciences |
4 |
| Thoughts on choral music writings of Sam Asare-Bediako AP Addaquay |
2022 |
Journal of Advanced Research and Multidisciplinary Studies 1 (3), 21-30, 2022 |
Humanities |
4 |
| Beyond the blueprint: Tailoring research frameworks to music theory and composition scholarship in Ghana AP Addaquay |
2025 |
Philosophy of Music Education Review 33 (2), 178-198, 2025 |
Humanities |
3 |
| Curriculum, Genre, and Power: Interdisciplinary Challenges in Ghanaian Music Theory, Composition, and Sound Engineering AP Addaquay |
2025 |
Eastern African Journal of Humanities and Social Sciences 4 (1), 279-286, 2025 |
Humanities |
3 |
| Reconceptualising literature reviews in Ghanaian music theory and composition: a path toward academic rigour and creative engagement AP Addaquay |
2025 |
Music Education Research 27 (5), 604-621, 2025 |
Humanities |
3 |
| Redefining heuristic paradigms: A critical discourse on the impetus of problematization in African music theory and composition AP Addaquay |
2025 |
Sisyphus—Journal of Education, 2025 |
Humanities |
3 |
| The Intentions and Positive Effects of an Opinionated-Delivery in the Performance of Music in Ghana AA Addaquay |
2023 |
The role and Transmission of Performing Arts in Rural Ghana, 156-180, 2023 |
Humanities |
3 |
| Silenced Voices: Unethical Editorial Practices and the Marginalization of African Scholars in Academic Publishing AP Addaquay |
2026 |
Journal of Scholarly Publishing 57 (1), 64-100, 2026 |
Humanities |
2 |
| From classroom to career in Ghana: Rethinking music education in a culture of economic aspiration A Addaquay |
2025 |
PULSE: Journal for Music and Interdisciplinary Practices 6 (1), 62-115, 2025 |
Social Sciences |
2 |
| The Analyst's Dilemma: Praise, Criticism and the Fallibility of Music Analysis AP Addaquay |
2025 |
Music Analysis 44 (3), 422-450, 2025 |
Humanities |
2 |
| PATTERNS OF SUPPORT: DISSECTING MUSICAL ACCOMPANIMENT WITHIN SUB-SAHARAN TRADITIONAL DANCE AP Addaquay |
2024 |
West African Theatre and Performing Arts Journal, 2024 |
Humanities |
2 |
| “SANKU” CONCERTO (An African Concerto for Piano and Indigenous Ghanaian Percussion) AP Addaquay |
2020 |
University of Cape Coast, 2020 |
Humanities |
2 |
| Reclaiming the African voice beyond Eurocentric instrumental taxonomies AP Addaquay |
2026 |
African Identities, 1-21, 2026 |
Humanities |
1 |
| The architecture of consent: unequal universality, incentive structures, and the politics of scholarly choice in global knowledge production A Addaquay |
2026 |
Globalisation, Societies and Education, 1-15, 2026 |
Social Sciences |
1 |
| An Analytical Discourse in the Construction of Text in the Choral Works of Sam Asare-Bediako AA Addaquay |
2023 |
JOURNAL OF AFRICAN ARTS & CULTURE 6 (6(2)), 19-46, 2023 |
Engineering |
1 |
| Between the Stage and the Altar: Virtuosity, Entertainment, and Theological Tensions in Ghanaian and Nigerian Gospel Music AP Addaquay |
2026 |
Journal of Religion in Africa 1 (aop), 1-30, 2026 |
Humanities |
0 |
| Cultural diplomacy through music: Evaluating the role of embassies and educational institutions in intercultural arts programming BA Boateng, S Aidoo, R Foli, AP Addaquay |
2026 |
Journal of African Arts and Culture 9 (1), 62-79, 2026 |
Humanities |
0 |
